Tuesday, August 30, 2011

Descriptive Writing -- Paragraphs

This article is from about.com (when we borrow, we always credit the source), and may be of use to you:

Model Descriptive Paragraphs
By , About.com Guide
 
The purpose of descriptive writing is to make our readers see, feel, and hear what we have seen, felt, and heard. Whether we're describing a person, a place, or a thing, our aim is to reveal a subject through vivid and carefully selected details.
Each of the four paragraphs below responds, in its own way, to the guidelines in How to Write a Descriptive Paragraph. The writers have selected a belonging that holds special meaning to them, identified that belonging in a clear topic sentence, and then described the subject in detail while explaining its personal significance.
In the following paragraph, observe how the writer moves clearly from a description of the head of the clown (in sentences two, three, and four), to the body (sentences five, six, seven, and eight), to the unicycle underneath (sentence nine). Notice also how the concluding sentence helps to tie the paragraph together by emphasizing the personal value of this gift.

1) A Friendly Clown

On one corner of my dresser sits a smiling toy clown on a tiny unicycle--a gift I received last Christmas from a close friend. The clown's short yellow hair, made of yarn, covers its ears but is parted above the eyes. The blue eyes are outlined in black with thin, dark lashes flowing from the brows. It has cherry-red cheeks, nose, and lips, and its broad grin disappears into the wide, white ruffle around its neck. The clown wears a fluffy, two-tone nylon costume. The left side of the outfit is light blue, and the right side is red. The two colors merge in a dark line that runs down the center of the small outfit. Surrounding its ankles and disguising its long black shoes are big pink bows. The white spokes on the wheels of the unicycle gather in the center and expand to the black tire so that the wheel somewhat resembles the inner half of a grapefruit. The clown and unicycle together stand about a foot high. As a cherished gift from my good friend Tran, this colorful figure greets me with a smile every time I enter my room.
Here is the final version of the descriptive paragraph that appears in the exercise Practice in Supporting a Topic Sentence with Specific Details. Compare this version with the earlier one to see which descriptions have been retained, what information has been omitted, and how sentences have been reworded and rearranged.

2) The Blond Guitar

by Jeremy Burden My most valuable possession is an old, slightly warped blond guitar--the first instrument I taught myself how to play. It's nothing fancy, just a Madeira folk guitar, all scuffed and scratched and finger-printed. At the top is a bramble of copper-wound strings, each one hooked through the eye of a silver tuning key. The strings are stretched down a long, slim neck, its frets tarnished, the wood worn by years of fingers pressing chords and picking notes. The body of the Madeira is shaped like an enormous yellow pear, one that was slightly damaged in shipping. The blond wood has been chipped and gouged to gray, particularly where the pick guard fell off years ago. No, it's not a beautiful instrument, but it still lets me make music, and for that I will always treasure it.
In the next descriptive paragraph, the student writer focuses less on the physical appearance of her pet than on the cat's habits and actions.

3) Gregory

by Barbara Carter Gregory is my beautiful gray Persian cat. He walks with pride and grace, performing a dance of disdain as he slowly lifts and lowers each paw with the delicacy of a ballet dancer. His pride, however, does not extend to his appearance, for he spends most of his time indoors watching television and growing fat. He enjoys TV commercials, especially those for Meow Mix and 9 Lives. His familiarity with cat food commercials has led him to reject generic brands of cat food in favor of only the most expensive brands. Gregory is as finicky about visitors as he is about what he eats, befriending some and repelling others. He may snuggle up against your ankle, begging to be petted, or he may imitate a skunk and stain your favorite trousers. Gregory does not do this to establish his territory, as many cat experts think, but to humiliate me because he is jealous of my friends. After my guests have fled, I look at the old fleabag snoozing and smiling to himself in front of the television set, and I have to forgive him for his obnoxious, but endearing, habits.
The following paragraph opens the third chapter of Maxine Hong Kingston's The Woman Warrior: Memoirs of a Girlhood Among Ghosts (Knopf, 1976), a lyrical account of a Chinese-American girl growing up in California. Notice how Kingston integrates informative and descriptive details in this account of "the metal tube" that holds her mother's diploma from medical school.

4) The Magic Metal Tube

by Maxine Hong Kingston Once in a long while, four times so far for me, my mother brings out the metal tube that holds her medical diploma. On the tube are gold circles crossed with seven red lines each--"joy" ideographs in abstract. There are also little flowers that look like gears for a gold machine. According to the scraps of labels with Chinese and American addresses, stamps, and postmarks, the family airmailed the can from Hong Kong in 1950. It got crushed in the middle, and whoever tried to peel the labels off stopped because the red and gold paint come off too, leaving silver scratches that rust. Somebody tried to pry the end off before discovering that the tube falls apart. When I open it, the smell of China flies out, a thousand-year-old bat flying heavy-headed out of the Chinese caverns where bats are as white as dust, a smell that comes from long ago, far back in the brain.

Saturday, August 13, 2011

The Not-Exactly-Syllabus


Date revised: Autumn, 2011

This very provisional, temporary, non-contractural, work-in-progress is essentially the previous syllabus posted for your convenience in planning for the autumn term.  This is NOT the official syllabus; that will be given to you in class.  Also please note that the schedule is based on a night course; those of you in a day course must double the days and halve the content for each day as given in order to develop a vague, fuzzy idea of what your work assignments might be like this term.



Angelina College English 1301 - Composition

BASIC COURSE INFORMATION

A. Course Description (as stated in the bulletin, including necessary pre-requisite courses, credit hours) Three hours credit. A review of the fundamentals of composition: grammar, punctuation, diction, and sentence structure; development of paragraphs and the essay; extensive theme writing in exposition and argument, including a unit on logic.

B. Intended Audience:  Students who have satisfied TSI writing requirements.

C. Instructor Name: Mack Hall. Office Location: Classroom. Office Hours: Before and after class. Phone: No. Really. Don't telephone. Use the email: mhall46184@aol.com.  

II. INTENDED STUDENT OUTCOMES:

A. Core Competencies (Basic Intellectual Competencies)

1. Reading: Reading at the college level means the ability to analyze and interpret a variety of printed materials _ books, articles, and documents. A core curriculum should offer students the opportunity to master both general methods of analyzing printed materials and specific methods for analyzing the subject matter of individual disciplines. 2. Writing: Competency in writing is the ability to produce clear, correct, and coherent prose adapted to purpose, occasion, and audience. Although correct grammar, spelling, and punctuation are each a sine qua non in any composition, they do not automatically ensure that the composition itself makes sense or that the writer has much of anything to say. Students need to be familiar with the writing process including how to discover a topic and how to develop and organize it, how to phrase it effectively for their audience. These abilities can be acquired only through practice and reflees. 3. To understand and appropriately apply modes of expression i.e., descriptive, expositive, narrative, scientific and self-expressive, in written, visual, and oral communication. 4. To participate effectively in groups with emphasis on listening, critical and reflective thinking, and responding. 5. To understand and apply basic principles of critical thinking, problem solving, and technical proficiency in the development of exposition and argument. 6. To develop the ability to research and write a documented paper and/or to give an oral presentation. C. Course Objectives for all sections _ 1. To help the student to understand his or her creative processes for greater expressiveness and apply modes of expression in writing assignments. 2. To write concrete, creative essays that thoroughly develop a central idea in an organized manner. 3. To understand the importance of specifying audience and purpose. 4. To apply the principles of writing as process: writing conceived as a connected and interactive process that includes pre-writing and invention, writing, revision, editing, and proofreading. 5. To master mechanics and grammar concepts necessary for clear expression. 6. To learn the principles of critical reading and to apply those principles to his or her own and to others’ writing. 7. To be able to make logical choices and to apply such logic to writing. 8. To understand and apply basic principles of critical thinking in the development of exposition and argument. 9. To understand computers and their application to our daily lives. 10. To develop the ability to research and write a documented paper. 11. To practice oral communication skills. D. Course Objectives as determined by the instructor.  III. ASSESSMENT MEASURES OF STUDENT LEARNING OUTCOMES: A. Assessments for the Core Intellectual Competencies _ 1. Reading _ Competency in reading is assessed as students respond to classmates_ writing and discussion forum postings, as well as through exams covering the textbook material and discussion of and responses to material presented in the textbook and on handouts provided by the instructor. 2. Writing - Competency in writing is assessed through the development of writing projects which meet the evaluation criteria and which are mechanically correct. Also students_ writing assignments that fulfill the evaluation criteria will demonstrate proficiency in reading, writing, critical thinking, and computer literacy. 3. Speaking - Competency in speaking is assessed based on students_ demonstrated ability to respond appropriately to different communicative situations as well as to a variety of addressed purposes and audiences. Students will interact with teacher and with classmates via email and discussion board. 4. Listening _ Competency in listening is assessed based on students_ demonstrated ability to respond appropriately to different communicative situations as well as to a variety of addressed purposes and audiences. Students will interact with teacher and with classmates via email and discussion board. 5. Critical Thinking _ Competency in critical thinking is made as students respond appropriately to assignments, to instructions, and in interactions with instructor and classmates 6. Computer Literacy _ Competency in computer literacy will be made based on students_ ability to submit properly prepared, researched documents and on students_ ability to access online writing and grammar resources. Assessments for the Exemplary Objectives_ 1. The ability to understand and demonstrate writing and speaking processes through invention, organization, drafting, revision, editing, and presentation is assessed through preparation and presentation of writing projects throughout the semester. 2. The ability to understand the importance of specifying audience and purpose and the ability to select appropriate communication choices is assessed through students_ attention to the rhetorical situation of each portion of each writing assignment. 3. The ability to understand and appropriately apply modes of expression is assessed through activities on correct usage of language and rhetorical devices and in the submission of appropriate writing projects throughout the semester. 4. The ability to participate effectively in groups is assessed by student writing of introduction letters, emails, discussion responses to writing in process that meet specified criteria. 5. The ability to understand and apply basic principles of critical thinking, problem solving, and technical proficiency is assessed through student writing projects designed to move readers to action, student letters to instructor in which students discuss their meeting of course objectives, and students_ ability to send and attach files to emails in WebCT. 6. The ability to research and write a documented paper is assessed by the requirement of five writing projects per semester C. Assessments for Course Objectives for all sections _ 1. Student understanding of creative processes for greater expressiveness and application of modes of expression in writing assignments will be assessed by effective use approach to a variety of writing assignment topics. 2. Student ability to write concrete, creative essays that thoroughly develop a central idea in an organized manner will be assessed by applying a standard grading criteria. 3. Student ability to understand the importance of specifying audience and purpose is assessed by presentation of effective writing projects which clearly address the chosen audience for the writer_ s chosen purpose. 4. Student ability to apply the principles of writing as process: writing conceived as a connected and interactive process that includes pre-writing and invention, writing, revision, editing, and proofreading is assessed through students_ discussion board postings which follow the writing projects_ guidelines. 5. Student ability to master mechanics and grammar concepts necessary for clear expression is assessed through grammar diagnostic, grammar midterm, and grammar final exams, as well as through the appropriate use of grammar and mechanics in the multiple writing assignments and contexts. 6. Student ability to learn the principles of critical reading and to apply those principles to his or her own and to others_ writing is assessed through peer response discussion board posting, as well as through successful completion of writing assignments. 7. Student ability to make logical choices and to apply such logic to writing is assessed through writing that appeals to the chosen audience in the desired or designated manner. 8. Student ability o understand and apply basic principles of critical thinking in the development of exposition and argument is assessed through the writing assignments. 9. Student ability to understand computers and their application to our daily lives is assessed as students complete the course online. 10. Student ability to develop the ability to research and write a documented paper is assessed through successful inclusion of resources into three of the five writing assignments. 11. Student ability to practice oral communication skills is assessed through optional orientation sessions, in-person or telephone conferences with instructor, and through question and answer sessions at test administrations. D. Assessments for the Course Objectives as determined by the instructor _ INSTRUCTIONAL PROCEDURES: A. Methodologies common to all sections Methodologies that may be utilized in presenting course content include online lecture notes, paper and pencil or online grammar exercises which give immediate feedback, in person or email workshops for student writings in progress, audio-visual presentations for view outside of class, online discussions (synchronous or asynchronous), student presentations to groups or to instructor only, and guest participants. B. Methodologies determined by the instructor V. COURSE REQUIREMENTS AND POLICIES: A. Required Textbooks, Materials, and Equipment _ Hacker, Diana. The Bedford Handbook. 7th ed. Boston: Bedford/St. Martin's, 2006. The Writer's Workbench computer program. B. Assignments _ (See below) C. Course Policies _ (This course conforms to the policies of Angelina College as stated in the Angelina College Handbook.) Academic Assistance _ If you have a disability (as cited in Section 504 of the Rehabilitation Act of 1973 or Title II of the Americans with Disabilities Act of 1990) that may affect your participation in this class, you should see Karen Bowser, Room 208 of the Student Center. At a post-secondary institution, you must self-identify as a person with a disability; Ms. Bowser will assist you with the necessary information to do so. Attendance: From the Angelina College Policy Manual: A true evaluation of the teaching-learning situation involves a correlation between attendance and progress. It is the responsibility of the student to attend all classes and a record of attendance will be kept for all classes by the instructor. It is the responsibility of the student to withdraw officially in the College District admissions and registrar_ s office from a class the student no longer desires to attend. College District instructional standards allow the instructor to set the educational objectives and requirements for each course. The student who does not meet these requirements because of excessive absences may be dropped by the instructor on a notice to the College District admissions office using either a first or second drop slip. The position of the instructor on submitting a non-attendance drop should be stated in the course syllabus. Excessive absences are defined as three or more consecutive absences or four or more cumulative absences from regularly scheduled class periods. The summer terms call for two or more consecutive, or three or more cumulative absences. A three-hour night class counts as two class periods. Students will not be dropped and will be allowed to make up work for absences because of (1) College District authorized and sponsored activities, and (2) religious holy days. It is the student_ s responsibility to arrange for make-up work with the instructor and to complete it within a reasonable time. In accordance with the Texas Education Code, each student is allowed to be absent from a class for the observance of a religious holy day. A _ religious holy day_ means a holy day observed by a religion whose places of worship are exempt from property taxation under Section 11.20, Tax Code. The student must notify the instructor of each class of the anticipated absence not late than the 15th calendar day after the first day of the semester. A student who is excused under this section must complete all assignments or missed examinations at the direction of the instructor. The form for notification of absences is in the office of admissions and will include the following: 1. Student name and identification number; 2. Name of religious institution and tax code number; 3. Name and date of holy day(s); 4. Classes to be missed; 5. Schedule for delivery of form by student to instructor(s); 6. Conditions and deadlines for completing missed assignments; 7. Instructor_ s signature and date; and 8. Student_ s signature and date. A student dropped because of excessive absences will be notified by mail by the College District admissions office and will be directed to obtain a readmit form and seek the approval of the instructor for admission. All students in developmental education must obtain approval of the instructor and the vice president and the dean of instruction. A student who fails to contact the College District admissions office within one week of the date the notice was mailed will be dropped permanently from class. All make-up work is at the discretion of the instructor. Attendance in developmental courses is guided by the Texas Success Initiative rules and regulations and additional steps are required. Additional Policies Established by the Individual Instructor - VI. COURSE CONTENT: A. Required Content/ Topics _ (common to all sections) Mechanics Emphasis: Mechanics and grammar study is an ongoing one that is an integral part of the writing process. Each student will be given a major test at the end of the semester to determine the student's mastery of mechanics and grammar. Further, all essays will be evaluated closely for correct usage, spelling and correct use of sentence parts. Approximately 20-25% of all class time will be given to drills on concepts. The Bedford Handbook with corresponding Internet resources will be the primary source for this continuing study. There will be no separate unit for the study of mechanics and grammar, but it will be a part of the writing unit. Essay Writing: College level essay writing is chiefly expository writing wih some occasional creative writings, if desired. The process approach to teaching writing will be used to promote unified writing and thinking processes. The teacher will initiate brainstorming or other heuristics to encourage free and fluent expression--then introduce different rhetorical modes for developing and organizing paragraphs and full essays. Each class time or homework assignment should require some writing. The instructor need not "grade" or even see every composition, but there must be some immediate feedback for every writing that the student does. This feedback might be in the form of peer evaluation or response, a letter written to a pen pal in another class whereby there will be a written response from the receiving student, or perhaps a class response to a writing read aloud in class. Argumentation: Argumentation includes but is not limited to induction and deduction, logical thinking, fallacies in argument, emotional appeals. Argumentative writing may be taught throughout the semester or in a two to three week unit. At least one grade should be from an argumentative essay (20-25%). B. Additional Content (as required by the individual Instructor) VII. EVALUATION AND GRADING: A. Grading Criteria (percents, extra credit, etc.) Evaluation: 4 or 5 major grades 75 to 80% At least 75% of the course grade must come from writing: A. At least 60% of this writing grade must be from essay writing: example/illustration, comparison/contrast, definition, classification/division, process, cause-effect, argumentation B. The other 15 to 20% writing grade might come from journal writing, essay tests, correspondence (letters, editorials), creative writings, critiques 20 to 25% A separate grade for mechanics and grammar should be given to emphasize the importance of the mastery of acceptable usage and to prepare students for future proficiency tests. This grade should be derived from daily exercises, quizzes on spelling, diction, punctuation and other mechanics and from at least one major objective test. B. Determination of Grade (assignment of letter grades) A (90-100) Excellent B (80-89) Good C (70-79) Average D (60-69) Minimum passing F (50 or below) Failure Standard Grading Policy for the English Department for all Essays Assigned A_ above average. Good organization, exceptional content, No more than one major error. A+ = 98, A = 95, A- = 92, A- - = 90 B_ above average. Good organization, exceptional content, and only one or two major errors. B+ = 88, B = 85, B - = 82, B - - = 80 C_ average. Organization, clear content, no more than 3 major errors. C+ = 78, C = 75, C - = 72, C - - = 70 D_ below average. Either lacks content and/or organization or has many major errors. More than 5 major errors drops the grade to an F. D+ = 68, D = 65, D - = 62, D - - = 60 F_ failing. Shows little or no effort. Contains 6 OR MORE major errors. F = 50. 0_ no grade. Did not turn in work, plagiarized an essay, or did not write on the assigned topic. Please Note: In the case of a plagiarized essay or research paper, a student may be dismissed from this course with an F. VIII. SYLLABUS MODIFICATION: The instructor may modify the provisions of the syllabus to meet individual class needs by informing the class in advance as to the changes being made.

Highly Flexible, Provisional, Experimental, and Tentative Syllabus Modifications

"I call therefore a complete and generous education that which fits a man to perform justly, skilfully, and magnanimously all the offices, both private and public, of peace and war.

 -- John Milton

We (actually, you -- I accomplished all this in my youth) will read and write essays in these four traditional rhetorical modes: Expository Essays using: Example Process analysis Division / classification Comparison / contrast Definition Cause-and-effect Persuasive Essays using: Appeals to logic Appeals to emotion (propaganda) Narrative Essays using: Linear recall/chronological order Stream-of-consciousness Descriptive Essays using: Sight Sound Touch Taste Smell Emotions

Essays are rather fun, but you will also write a research paper employing the MLA format. You will hate writing it; I will hate reading it. However, this is a necessary preparation for professional writing both in university and in your career.

1 . Text: The Bedford Handbook. You will also need a composition book of the cheapest sort.

2. Grades: A. Quizzes & Essays - 25% B. Research Paper - 25% C. Mid-term exam - 25% D. Final Exam - 25%.  Quizzes may appear at any time -- be prepared for each class. All work has a one-week expiration date. Out-of-class assignments are due at the beginning of the class. Please do not ask to leave class to print out your paper; I will often grant you computer lab time as part of class. No, I don't want to hear about your home printer or computer problems. Really. No. This isn't high school.

3. Attendance:  Per Angelina College requirements, three consecutive absences or four cumulative absences require me to drop you; I am not permitted flexility in this.  Disappearing during the break or during class counts as an absence. Tardiness is an absence; your presence elsewhere in the building instead of in class and on time is an absence.  I cannot / will not re-teach a class session; if you miss, you must ask a classmate for notes. Form casual study / buddy groups and communicate with each other. If I miss -- and I never have – I will try to post my absence on The Verb Sharpening Shop. Individual emails or ‘phone calls are impossible.

4. Out-of-class work must be produced on a word processor. I accept 12-point Verdana (preferred), Geneva, Arial, or Times New Roman. Do not use exotic typefaces, bold settings, or margins other than one inch all around.  Papers are due at the beginning of class; if you are in the library typing when class begins you have both a zero test grade and an absence.  Please do not bring me a memory device and ask me to print out your paper -- that's a zero for the assignment. In-class work must be in black or blue ink.

5. Office Hours: This will be problematic since I am a commuter too and don't have an office except for the trunk of my car. I hope to be in the classroom approximately a half-hour before class and briefly after class. Please feel free to email me at any time at my email address to ask me reasonable questions or for reasonable advice.  Do NOT ask me what we did last week.  No.  Don’t.  Really.  This isn’t high school.

6. Class participation: let's have lots of fun here, but remember that even the most heated arguments should be in a spirit of good fellowship, with no ad hominem attacks. You are a scholar -- argue like one, with courtesy and generosity. You must talk! The outside readings are not overwhelming, so take some notes and prepare to make a significant contribution: one good, original thought -- YOUR THOUGHTS, not Mr. Cliff's or Mr. Sparks' -- per poem / essay / narrative.

7. Drinks and snacks -- You probably had a long and tiring day before you arrived in class, so I do not mind a cup of coffee or a SMALL soda, but remember that this is not McDonald's: no food, please. Please use a bit of paper towel so no rings are left on the furniture, and at the end of class put all debris away in the trash cans. Push the chairs back into position.  The nice folks who clean up around here are overworked and underpaid, and deserve everyone's respect for their contributions to your success. By the way, you do speak to the cleaner-uppers when you see them in the hallway, don't you? 

8. How much help? When writing papers you may solicit a great deal of assistance from others with matters of form and proofreading; indeed, I encourage such collaboration. The thesis and content, however, must be your work alone, and all quotations and sources must be properly documented. I cannot emphasize too much what a serious issue this is. An instructor need not resort to plagiarism programs; a simple string search on any search engine will ferret out a downloaded paper. Anyone who perpetrates such an offense will find that Monday nights will suddenly be free. Let me translate from Mackinese to plain English -- if you cheat, I will drop you from the class with an F. I have in the past been rather trusting -- or careless?  I now search out all papers through plagiarism sites, which may result in a slower paper return. I apologize for any delay that occurs.

9. Referring to this class as a basic to be gotten out of the way is impolitic. Education is a joy in itself, a rare privilege enjoyed by very few people in history, and even the most tiresome prerequisite is never a basic or something to be gotten out of the way. You are now a college student, not a conscript high school sophomore. Celebrate your intellect. Oh – and please don’t tell me that you made straight As in high school.   If you formed a kazoo marching band, I'm definitely interested in that.

10. Cell 'phones, recorders, things that stick out of the ear, and other gadgets -- I don't mind if you keep your 'phone on buzz if you are concerned about a sick child or a situation at least as important. Please take the call discreetly out of the classroom. DO NOT TALK ON A TELEPHONE OR MANIPULATE ANY KIND OF COMMUNICATIONS DEVICE IN THE CLASSROOM AT ANY TIME, not even before or after class. Telephones may not be on your desk at any time, and all other electronic gadgets are forbidden at all times. Disconnect from the mother ship and interact with humans for the duration of the evening. Do not make any visual or sound recordings at any time without the permission of the entire class.

11. A rule I never thought I'd have to make -- no spit cups.  

12. If you flunked English 1301 at a four-year school and are here to make it up you are very welcome; however, if you are under the illusion that this is an easy class requiring nothing more than a cell 'phone, a bottle of water, and practice in anger management, go away.

13. I will not respond to emails in which the writer is not identifiable, in which the email address is childish, or in which the content is not formatted as a business letter complete with heading, inside address, salutation, body, complimentary close, and signature, all in block form.

Class Schedule -- VERY flexible. Indeed, this is so flexible it's a candidate for Cirque d'Soleil!

1st Day: Discussion of expectations. Hand out and discuss syllabus. Hand out and discuss "Rules for Essay Writing."  Think about a topic for your research paper.

2nd Day: 10 minutes' journal time.  Grammar review item. Narrative essay for study: Ray Bradbury's "Summer Rituals." Read in class in small groups or solo. Guided discussion of "Summer Rituals" and author's techniques. Connect to students' own childhoods. Assign rough draft of a narrative essay, with time in class to begin. Think some more about your research paper.

3rd Day: 10 minutes' journal time. Peer review: Circulate rough drafts of narrative essay in small groups. You will be graded on your possession of a substantial -- a few scrawls in your notebook won’t do -- rough draft, most of it computer-generated. Begin writing your research paper.

4th Day: Narrative essays due at beginning of class. 10 minutes' journal time. Grammar review item. Introduce and discuss persuasive essay, concepts and techniques. Assign topics for persuasive essay. Feel guilty because you haven’t begun your research paper.

5th Day: 10 minutes' journal time. Grammar review item. Circulate rough drafts of persuasive essays in small groups for peer review. Panic about your research paper.

6th Day: 10 minutes' journal time. Grammar review item. Ad lib writing time in computer lab. Plunge into existential denial regarding that research paper.

7th Day: Persuasive essays due at beginning of class. 10 minutes' journal time. Grammar review item. Review for mid-term exam. Despair that after tonight you must now really, really, really begin to write the research paper you haven’ t even researched.

8th Day: First Great Celebration of Learning: Mid-term Exam.

9th Day: 10 minutes' journal time. Grammar review item. Discuss research papers in MLA format. Topics. Ad lib computer writing lab. Um…research paper?

10th Day: 10 minutes' journal time. Grammar review item. Ad lib writing research paper writing with one-on-one instructor consultation. No, I will not give you a topic for your research paper.

11th Day: Research papers due at beginning of class. 10 minutes' journal time. Grammar review item. Introduce and discuss expository essays. Examples. Computer lab time. Curiously enough, attendance at tonight’s class will be thin -- must be that virus that’s going around.

12th Day: 10 minutes' journal time. Grammar review item. Ad lib writing of expository essays with one-on-one instructor consultation.

13th Day: Expository essays due at beginning of class. 10 minutes' journal time. Grammar review item.

14th Day: 10 minutes' journal time. Grammar review item. Review for final exam.

15th Day: Last Great Celebration of Learning: Final Exam. Please note that this is scheduled a week ahead of the official final exam schedule.  If I haven't missed a class this will be our last meeting, and you can budget more time for preparation for your other finals.

How to Contact Your Instructor

Your instructor's email address is: mhall46184@aol.com.

This is not high school.  No excuses.

Emails must be in complete block letter format.  This is a writing class, after all.

This is not high school.  No excuses.

Your name and the class number must appear on the subject line.

This is not high school.  No excuses.

Standard English, please -- do not employ sentence fragments, poor paragraph structure, MySpace-isms, or other demonstrations of inadequacy.

This is not high school.  No excuses.

Sending an email does not imply a contract of any sort.  If your email is a structural or grammatical mess the instructor will not respond to it at all.  Your instructor does not carry around a little glowing box and so does not peruse his email constantly.  Beyond that, electronic communications are undependabe.   "But didn't you get my email...?" does not constitute an excuse or, indeed, anything any supervisor, colleague, or customer will ever want to hear.

This is not high school.  No excuses.

Do not write to this site; use the email address as written at the beginning of this post.

What Do You Need for English 1301?

26 August.  Update.  Surprise!  Bedford is no longer our assigned text.  You will need the Prentice-Hall Reference Guide, a wire-bound little book with a secret code for accessing P-H's interactive web site. 

"Don't execute the messenger," and so on.


For Mr. Hall's English 1301 class you will need a copy of The Bedford Handbook by Diana Hacker.  Your old teacher recommends that you purchase a used edition (they are available from 'net retailers) and save some coins for coffee.  Different editions vary, mostly in pagination, but that will not present a problem.  If you are taking the class with a close friend, you may certainly share a copy. 

For taking notes and for writing in class you will need ordinary notebook paper.  Your instructor recommends that you maintain a standard-sized notebook of all your work for your own purposes; you will not turn in a notebook.

Please bring a journal or composition book of the very cheapest sort. 

Black or blue ink only; pencils are for mathematics, and mathematics are not in the Bible, so there.

Outside of class you will need access to a computer and printer.